![]() Though the world landscape, a type of work with the title subject represented by small figures in the distance, was an established type in Early Netherlandish painting, pioneered by Joachim Patinir, to have a much larger unrelated " genre" figure in the foreground is original and represents something of a blow against the emerging hierarchy of genres. Auden's famous poem " Musée des Beaux-Arts", named after the museum in Brussels which holds the painting, and became the subject of a poem of the same name by William Carlos Williams, as well as "Lines on Bruegel's 'Icarus'" by Michael Hamburger. Largely derived from Ovid, the painting is described in W. According to the museum: "It is doubtful the execution is by Bruegel the Elder, but the composition can be said with certainty to be his", although recent technical research has re-opened the question. However, following technical examinations in 1996 of the painting hanging in the Brussels museum, that attribution is regarded as very doubtful, and the painting, perhaps painted in the 1560s, is now usually seen as a good early copy by an unknown artist of Bruegel's lost original, perhaps from about 1558. It was long thought to be by the leading painter of Dutch and Flemish Renaissance painting, Pieter Bruegel the Elder. Landscape with the Fall of Icarus is a painting in oil on canvas measuring 73.5 by 112 centimetres (28.9 in × 44.1 in) now in the Royal Museums of Fine Arts of Belgium in Brussels. Royal Museums of Fine Arts of Belgium, Brussels ![]() For other uses, see The Fall of Icarus (disambiguation). For the poem by William Carlos Williams, see Landscape with the Fall of Icarus (poem). This article is about the Bruegel painting.
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